2.5 million B.C. |
The Great Dyke is formed, the longest linear mineralogical mass in the world. |
|
11th - 15th century |
Ancient sculptors lived and carved stone in the flourishing civilization called Great Zimbabwe. |
15th - 20th centuries |
The art of stone sculpting is not recorded (as observed
by the Portuguese) but is believed to still be part of Shona culture. |
|
1890's |
Cecil Rhodes and his men (British South African Company) discover African "heathen idols" at the Great Zimbabwe and have them destroyed. |
1890's - 1950's |
Stone sculpting goes "underground" to the point that it isn't noted at all. Yet, it somehow survived to the point that it could be "discovered" by Frank McEwen. |
|
Late 1950's
|
A renaissance in stone carving occurs, encouraged by Frank McEwen, the first director of the National Gallery. |
1957 |
The National Gallery is established. |
Early 1960's |
Tengenenge, an art village, is founded by Tom Blomefield and is still in existence today. |
1960's |
First generation sculptors come forth and are internationally recognized. |
| 1962 |
Nicholas Mukomberanwa joins the Workshop School at the National Gallery. |
1967 |
Henry Munyaradzi joins the Tengenenge Community. |
1971 |
Shona Sculpture exhibit at the Rodin Museum in Paris, France. |
Mid 70's to 80's |
Second generations sculptors are recognized. |
|
Early 1990's
|
Third generation sculptors are recognized. |
Late 1990's |
Fourth generation sculptors emerge. |